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July 08 2017

08:37

June 10 2017

14:49
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4-light-color-a
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4-light-color-b
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2-architecture
14:47
3-light-paint
14:47
1-nature

May 11 2017

06:28
But as with everything Lynch, the agreement for the redux came down to instinct: A final piece of the puzzle, say the execs, was a painting in Nevins’ office of a little girl next to a bookcase that looks like it may fall on her. “I was making the pitch about why he should come here and why we would treat his property right, and he mostly stood there and stared at the painting,” Nevins recalls. (For his part, Lynch says the painting wasn’t the deciding factor, but he smiles at the memory of seeing it.)
Inside the Roller-Coaster Journey to Get David Lynch’s ‘Twin Peaks’ Back on TV

April 21 2017

08:57

April 09 2017

20:56

I thought about celebrating Breadcrumbs’ anniversary by re-blogging each of my posts and replying to them. Like, one of them complains about how “kids today” won’t get references to Doom II. But that was TEN YEARS AGO! Who even knows what “kids today” do/think/know. I was such a stupid kid TEN YEARS AGO goddamnit.
Anyway, I’m too lazy for celebration. So won’t be doing that re-blogging thing.
But I am writing here again now, so that’s pretty cool!

20:51

Yep. Ten freaking years. Pretty crazy.

20:48
7133 c539 390

breadcrumbs:// turned 10 today!

March 01 2017

08:18

May 13 2016

17:07

Moonwalk from Reel Water Productions on Vimeo.

The ultimate full moon shot. Dean Potter walks a highline at Cathedral Peak as the sun sets and the moon rises. Shot from over 1 mile away with a Canon 800mm and 2X by Mikey Schaefer.

This shot was part of a bigger project for National Geographic called The Man Who Can Fly.

channel.nationalgeographic.com/videos/the-man-who-can-fly/

Directed by Mikey Schaefer…mikeylikesrocks.com
Produced by Bryan Smith
Concept by Dean Potter

Music:
Slate - By Wil Bolton
From the Album: Time Lapse on Hibernate Recordings
Licensed through: Audiomoves - audiomoves.com

07:41
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